Meanwhile, the company is looking to grow in new markets. "We are looking to Europe being our next area of expansion," said Curt Tilly, Microspace's manager of digital-cinema distribution.It will be interesting to see how they tackle a heterogeneous market like Europe. 400 might not sound that much, but taking into account the different release windows, lack of pan-European exhibitors of sufficient size (even Kinepolis and UCI aren't big enough) and different wishes from different studios and their service companies (Fox still aren't keen on satellite last time I checked).
Methods of delivering digital-cinema content include shipping hard drives and satellite distribution. "For a small number of locations, satellite delivery for any industry doesn't make a lot of sense," Tilly said. "Our rough break-even point, we think, is about 400 locations. We can go back to the studios with 400 locations and say that we can be more cost-effectlve than the process of duplicating drives, shipping drives, tracking drives and getting them back. There are also advantages with security; satellite delivery is getting more secure than a hard drive.
Microsapce will also face competition from European competitors. Just don't expect them to be Astra or Eutelsat. The European Microspace is out there, but keeping a low profile at the moment.
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